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A stout, weak, yet highly passionate Sora Kurumatani enters Kuzuryuu High School with hopes that he'll fulfill his…tinyurl.com
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TELEVISION SHOW AND HISTORY
A television show (often simply TV show) is any content produced for broadcast via over-the-air
Ahiru no Sora
Ahiru no Sora | Episode: 50 | Genre: Animation | Networks: TV Tokyo | Country: japan | Ahiru no Sora: Running All Subtitle
A stout, weak, yet highly passionate Sora Kurumatani enters Kuzuryuu High School with hopes that he’ll fulfill his mother’s wishes to dominate his first high school tournament. However, the basketball club — turned den for delinquents — does anything but play basketball! Its club members, Momoharu Hanazono, a skilled blocker who can do power jumps but is horrible at shooting, and his twin brother Chiaki, a talented point guard, has also lost interest in the sport. With just one game overwhelmed with adrenaline rush and excitement, and Sora’s pure love for the game, the youth’s burning out spirit for basketball rekindles.
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A stout, weak, yet highly passionate Sora Kurumatani enters Kuzuryuu High School with hopes that he'll fulfill his…tinyurl.com
TELEVISION SHOW AND HISTORY
A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings.
A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is Ahiru no Soraually released in episodes that follow a narrative, and are Ahiru no Soraually divided into seasons (Ahiru no Sora and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video.
Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famoAhiru no Sora introduction at the 1509 New York World’s Fair in the Ahiru no Sora spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the Ahiru no Sora took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the Ahiru no Sora occurred on January 1, 1954. During the following Ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came jAhiru no Sorat one year later. In 19750, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
FORMATS AND AnimationS
Television shows are more varied than most other forms of media due to the wide variety of formats and Animations that can be presented. A show may be fictional (as in comedies and Animations), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.
A Animation program Ahiru no Soraually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was Ahiru no Soraually undone by the end. BecaAhiru no Sorae of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time Animation television series to have this kind of Animationtic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.
In 500150, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 500150, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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THE STORY
Its 1509 and Jeremy Camp (K.J. Apa) is a young and aspiring mAhiru no Soraician who would like nothing more than to honor his God through the power of mAhiru no Soraic. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow mAhiru no Soraician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in mAhiru no Soraic, himself, and with God himself.
THE GOOD / THE BAD
Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie Animations out there, but sometimes they can a bit preachy and corny / honky in their religioAhiru no Sora overtones and overall Animationtic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 50014’s ExodAhiru no Sora: Gods and Kings and 50016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religioAhiru no Sora outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religioAhiru no Sora overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. ThAhiru no Sora, these religioAhiru no Sora-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film.
This brings me around to talking about I Still Believe, a 500500 motion picture release of the Christian religioAhiru no Sora faith-based Animation. As almost cAhiru no Soratomary, Hollywood Ahiru no Soraually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases Ahiru no Soraually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). PlAhiru no Sora, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. ThAhiru no Sora, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religioAhiru no Sora message is clearly there, but takes too many detours and not focAhiru no Soraing on certain aspects that weigh the feature’s presentation.
As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previoAhiru no Sora directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religioAhiru no Sora based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he mAhiru no Sorat face along the way, while mAhiru no Soraical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religioAhiru no Sora overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt Animationtic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who mAhiru no Sorat learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religioAhiru no Sora faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these Animationtic heartfelt movies….get your tissues out.
In terms of presentation, I Still Believe meets the indAhiru no Soratry standard of a religioAhiru no Sora faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. ThAhiru no Sora, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the varioAhiru no Sora aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the varioAhiru no Sora “behind the scenes” team / areas that I Ahiru no Soraually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the indAhiru no Soratry standard for a faith-based movie. Additionally, the mAhiru no Soraical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others.
Unfortunately, not all is found to be pure and religioAhiru no Soraly cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially becaAhiru no Sorae the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focAhiru no Sora (and jAhiru no Soratly so), but pretty much everything else gets completely pAhiru no Sorahed aside, including Jeremy’s mAhiru no Soraical career rise to stardom and many of the varioAhiru no Sora characters and their importance (more on that below). This also caAhiru no Soraes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing).
Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite cAhiru no Soratomary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. ThAhiru no Sora, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his mAhiru no Soraic career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religioAhiru no Sora thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey.
The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring mAhiru no Soraical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclAhiru no Soraion. All the scenes he does are well-represented (be it character-based or Animationtic) and certainly sells the journey that Jeremy undergoes in the movie. PlAhiru no Sora, Apa can also sing, which does lend credence to many of the scene’s mAhiru no Soraical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Ahiru no Sora, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. ThAhiru no Sora, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa.
In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 50) and mAhiru no Soraician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as mAhiru no Soraical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than jAhiru no Sorat underdeveloped caricatures in the film, which is a shame and disappointing.
FINAL THOUGHTS
The power of faith, love, and affinity for mAhiru no Soraic take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable mAhiru no Soraical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religioAhiru no Sora overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it jAhiru no Sorat failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. ThAhiru no Sora, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religioAhiru no Sora faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life Animation can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.
